Siglind Bruhn
siglind.bruhn@web.de
Siglind Bruhn, born 11 October 1951 in
Hamburg, Germany, is a music analyst/musicologist, concert pianist, and
interdisciplinary scholar. Since 1993 she has been affiliated with the
University of
Michigan’s Institute for the Humanities as a full-time researcher in
the field of “Music in Interdisciplinary
Dialogue.” In addition she served, from 2002 to 2010, as Distinguished
Senior Research Fellow at the
University of Copenhagen’s Center for Christianity and the Arts,
for the period 2004-2009, as chercheur invité
at the
Sorbonne’s Institut d’esthétique des arts contemporains, and during
the years 2014-2018, as Guest Professor for Music of the
20th and 21st centuries at the Music Academies in Kraków and Katowice, Poland. In 2001
she was elected to the European Academy of Arts and Sciences; in 2008
she received an honorary doctorate from Linnaeus University,
Sweden.
Before
coming to the United States, Siglind
taught at the University of Hong Kong, where she was the Director of
Studies for the Program in Piano Performance Pedagogy (1987-1993), and
at the Pianisten-Akademie in Ansbach, whose founding director she was
(1984-1987). Globally, she is or has been active on the Executive Board
of the Danish National Research Foundation’s International Postdoctoral
Center, on the Executive Board of the International Society for the
Interdisciplinary Study of Symmetry, as Vice President of the
International Association for Word and Music Studies, and as Commission
Chair in the International Society for Music Education. She has been a
Visiting Professor at the Central Conservatory in Beijing and a
visiting artist/visiting lecturer in most West European countries as
well as in China, Taiwan, Australia, South Africa, Namibia, Mexico,
Ecuador,
and on various American campuses.
Since 1993, Siglind has been devoting
herself fully to research and writing. In
1997, she was honored by being named the youngest (and first female)
Life
Research Associate at the University of Michigan’s Institute for the
Humanities. Internationally, she is an active member on research teams
such as the Équipe scientifique d’herméneutique musicale
(based at the University of Strasbourg,
France), the Nordic Society for Interarts Studies (based at the
University of Lund, Sweden), and the Musical Signification Project
(based at the University of Helsinki, Finland). Besides contributing
numerous articles to scholarly journals and
chapters to anthologies in both Europe and the United States, she has
authored over 40 books. One of them, Musical Ekphrasis: Composers Responding
to Poetry and Painting, has inspired dissertations in several
countries. As a co-author, she has edited five
volumes of
scholarly essays and three issues of a scholarly journal. She also
served as general editor of the book series INTERPLAY: Music
in Interdisciplinary Dialogue, published by Pendragon Press from 2000 until 2021, and has
translated one music-theoretical book from English into German.
Her
most recent completed research
projects are four book trilogies: comprehensive studies in three
volumes each of the piano, vocal, and instrumental
compositions of
Olivier Messiaen (in English and German: 2006-2008), Paul Hindemith (in
German only: 2009-2012), Claude
Debussy (in English and German: 2017-2019), and Maurice Ravel (in
German only: 2020-2022).
Wherever applicable, indivual works have been interpreted in light of
the poetry and visual art that inspired them. She is currently working
on a fifth book trilogy, dedicated to the music of Alban Berg.
As a concert pianist, Sigilind started performing at the age of 13 and has since given solo and
chamber music recitals in twenty-three countries on all five
continents.
She has recorded extensively with classical radio stations in several
countries and can be heard on two LPs and four CDs.
Siglind holds three post-graduate degrees: a
Master-of-Music equivalent in piano performance, piano pedagogy, and
music theory from the Musikhochschule Stuttgart [Staatsexamen für
das künstlerische Hauptfach Klavier]; a Master of Arts in Romance
literatures and philosophy from the University of Munich, and a Ph.D.
[Dr.phil., summa cum laude] in music analysis, musicology, and
psychology from the University of Vienna, earned with a
dissertation on questions of musical hermeneutics in Alban Berg’s opera
Wozzeck.
(Last updated December 2024)