|
Introduction
|
vii
|
|
Musical Analysis Versus Musical Hermeneutics
(Kofi Agawu)
|
7
|
|
Grounding Interpretation: A Semiotic Framework for
Musical Hermeneutics
(Robert S. Hatten)
|
23
|
|
Musical Hermeneutics in the Past Two Decades: Some
Reflections on German and Austrian Publications
(Gerold W. Gruber)
|
41
|
|
Encountering Mangrove
(Naomi Cumming)
|
59
|
|
Doubters and Believer: Case Studies in the Geistliche
Lieder of Eduard Möricke and Hugo Wolf
(Susan Youens)
|
101
|
|
The Rake's (and Stravinsky's) Progress
(Chandler Carter)
|
145
|
|
Decoding the Twenty-four Preludes of Shostakovich: A
Hermeneutic Approach
(Anatole Leikin)
|
189
|
|
From Signor Contino to Falstaff: Operatic
Connotations in Beethoven's Early Variations (Steven Moore Whiting)
|
203
|
|
Colors of a Mystic Fire: Light and Sound in Scriabin's
Prometheus
(Danuta Mirka)
|
221
|
|
A Mystic in the Cathedral: Music, Image, and Symbol in
Andriessen's Hadewijch
(Maria Anna Harley)
|
243
|
|
Religious Symbolism in the Music of Olivier Messiaen
(Siglind Bruhn)
|
269
|
|
The Contributors
|
303
|
