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1: Books edited and co-authored
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2008
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Sonic Transformations of Literary Texts:
From Program Music to
Musical Ekphrasis
Nine essays edited by Siglind Bruhn
Volume 6 in the series “INTERPLAY: Music in Interdisciplinary
Dialogue,”
M. Breivik and S. Bruhn, series editors (Hillsdale:
NY: Pendragon), 239 pp.
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| 2002 |
Voicing
the Ineffable:
Musical Representations of Religious Experience
Volume 3 in the series “INTERPLAY: Music in Interdisciplinary Dialogue,”
M. Breivik and S. Bruhn, series editors (Hillsdale:
NY: Pendragon), 316 pp. [Contents]
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| 1998 |
Messiaen's
Language of
Mystical Love
Volume 1 in the series “Twentieth-Century Studies in Music,”
Joseph Auner, series editor (New York: Garland), 271 pp. [Contents] |
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1998
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Encrypted
Messages in Alban
Berg's Music
Volume 1 in the series “Border Crossings: Modernism in Music,
Literature, and the Visual Arts”
Daniel Albright, series editor (New York: Garland), 307 pp. [Contents]
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1998
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Signs in Musical Hermeneutic,
Special issue 13/1-4, The American Journal of Semiotics, 308 pp.
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| 1995 |
The Education of the Professional Musician:
Towards a Change of Attitudes Regarding Goals and Values
(Nedlands, Western Australia: CIRCME - The Callaway International
Resource Centre for Music Education), 211
pp. |
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2: Journal issues edited
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| 1996 |
Symmetry in Music, Dance, and Literature:
Special issue 7/2 of the quarterly Symmetry: Culture and Science, 112
pp.
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1996
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In Memoriam Ernö Lendvai: Special issues
7/3 and 7/4 of the quarterly Symmetry: Culture and Science, 224
pp.
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Siglind
Bruhn also serves as editor of works
in the humanities at large. Books she has shepherded include Małgorzata Pawłowska’s Exploring Musical Narratology: The Romeo and Juliet Myth in Music (Pendragon 2018), Barbara Barry’s Lebewohl: Reconstructions of Death and Leave-taking in Music (Pendragon 2013), Wojciech
Stepien’s The
Sound of
Finnish
Angels: Musical Signification in Five Instrumental
Compositions by
Einojuhani Rautavaara (Pendragon 2011), Magnar Breivik’s Musical Functionalism:
The Musical Thoughts of
Arnold Schoenberg
and Paul Hindemith (Pendragon 2011), Geert
Edel’s Von der Vernunftkritik zur Erkenntnislogik
and Hypothesis versus Linguistic Turn (both Gorz 2010),
Vladimir L. Marchenkov’s The
Orpheus Myth and the Powers of Music
(Pendragon 2009), Responsibility
and Commitment: Eighteen
Essays in Honor of Gerhold K. Becker edited by Tze-wan
Kwan
(Gorz 2008), Victoria Adamenko’s Neo-Mythologism
in Music: From Scriabin and Schoenberg to Schnittke and Crumb
(Pendragon 2007), Po-shan
Leung’s Eigentlichkeit
als Heideggers Wegmotiv: Von Sein und Zeit zur Seinsgeschichte
(Gorz 2007), Mathieu
Schneider’s Destins
croisés:
Du rapport entre musique et
littérature
dans
les oeuvres symphoniques de Gustav
Mahler et
Richard Strauss (Gorz 2006),
Uta-D. Rose’s Die
Komplexität politischen Handelns: Die
Liberalismus
-
Kommunitarismus
-
Debatte
im
Lichte
des Denkens von Hannah
Arendt
(Gorz 2005), and
Kristin
Rygg’s Masqued
Mysteries Unmasked: Early
Modern
Music Theater and Its Pythagorean
Subtext (Pendragon 2000). The studies published by Edition
Gorz
can alternatively be read online
or purchased
as paperbacks.
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