46
|
2025
|
Alban Bergs Opern Wozzeck und Lulu: Thematik,
Struktur, Semantik (Gorz), 370 pp. [Contents]
|
45
|
2024
|
Aban Bergs sinfonische
Werke: Thematik, Struktur, Semantik (Gorz), 216 pp. [Contents]
|
44
|
2023
|
Alban Bergs
Liederzyklen und Kammermusik: Thematik, Struktur, Semantik (Gorz),
246 pp. [Contents]
|
| 43 |
2022 |
Ravels Orchester- und Kammermusik
(Gorz), 250 pp. [Contents] |
| 42 |
2021 |
Ravels Lieder und Opern (Gorz),
334 pp. [Contents]
|
| 41 |
2021 |
Ravels Klaviermusik (Gorz), 260
pp. [Contents] |
| 40 |
2020 |
« Dunkel ist das Leben »:
Liedsinfonien zur Vergänglichkeit von Mahler bis Penderecki
(Gorz), 322 pp. [Contents] |
| 39 |
2019 |
Debussy’s
Instrumental Music in its Cultural Context (Pendragon), 278 pp. |
| 38 |
2019 |
Debussys Instrumentalmusik im kulturellen
Kontext (Gorz), 314 pp. [Contents] |
| 37 |
2018 |
Debussy’s Vocal
Music and its Poetic Evocations (Pendragon), 288 pp. |
| 36 |
2018 |
Debussys Vokalmusik im kulturellen
Kontext (Gorz), 316 pp. |
| 35 |
2017 |
Debussys Klaviermusik
und ihre bildlichen Inspirationen (Gorz), 268 pp. [Contents] |
| 34 |
2016 |
Henri Dutilleux.
Jede Note auf der Goldwaage gewogen (Gorz), 254 pp. [Contents] |
| 33 |
2016 |
Aribert Reimanns Vokalmusik
(Gorz), 298 pp. [Contents] |
| 32 |
2015 |
Arnold Schoenberg’s
Journey from Tone Poems to
Kaleidoscopic Sound Colors
(Pendragon), 368 pp. |
| 31 |
2015 |
Schönbergs Musik 1899-1914 im Spiegel des
kulturellen Umbruchs.
Von der Tondichtung zum Klangfarbenspiel
(Gorz), 338 pp. [Contents] |
| 30 |
2014 |
Europas klingende
Bilder (Gorz), 200 pp. [Contents] |
| 29 |
2013 |
The Music of Jörg Widmann
(Gorz), 244 pp. [Contents] |
| 28 |
2013 |
Die Musik von Jörg
Widmann (Gorz), 244 pp. [Contents] |
| 27 |
2012 |
Hindemiths große
Instrumentalwerke (Gorz), 356 pp. [Contents] |
| 26 |
2011 |
Frank
Martin’s Musical
Reflections on Death (Pendragon), 300 pp. |
| 25 |
2010 |
Hindemiths große Vokalwerke
(Gorz), 312 pp. [Contents] |
| 24 |
2009 |
Hindemiths große Bühnenwerke
(Gorz), 275 pp. [Contents] |
| 23 |
2008 |
Les
Visions d’Olivier Messiaen (L’Harmattan), 346 pp. |
| 22 |
2008
|
Messiaen’s
Interpretations of Holiness and
Trinity: Echoes of Medieval
Theology in His Oratorio, Organ Meditations, and Opera (Pendragon),
230 pp. [Contents] [Review
Dingle] [Review Fallon] |
| 21 |
2008 |
Messiaens ‘Summa theologica’: Musikalische
Spurensuche mit Thomas von Aquin in La
Transfiguration de Notre
Seigneur Jésus-Christ, Méditations sur le mystère
de la sainte Trinité, und Saint François
d’Assise (Gorz), 268 pp. [Contents] [Libretto] |
| 20 |
2008
|
Messiaen’s
Explorations of Love and Death: Musical
Signification in the “Tristan Trilogy” and Three Related Song Cycles (Pendragon),
288 pp. [Contents] [Review
Dingle]
[Review
Benitez] |
| 19 |
2007 |
Olivier
Messiaen, Troubadour: Liebesverständnis und musikalische
Symbolik in Poèmes pour Mi, Chants de terre et de ciel,
Trois petites Liturgies de la présence divine, Harawi,
Turangalîla-Sinfonie und Cinq Rechants (Gorz), 322
pp. [Contents] |
| 18 |
2007
|
Messiaen’s
Contemplations of Covenant and Incarnation:
Musical Symbols of
Faith in the Two Great Piano Cycles of the 1940s (Pendragon),
296 pp. [Contents]
[Review
Dingle]
[Review
Benitez] |
| 17 |
2006 |
Messiaens
musikalische Sprache des Glaubens: Theologische Symbolik in
den
Klavierzyklen Visions de l’Amen und Vingt
Regards sur
l’Enfant-Jésus (Gorz), 330 pp. [Contents]
|
| 16 |
2006 |
J.
S.
Bachs Wohltemperiertes
Klavier: Analyse und Gestaltung (Gorz), 580 pp. [Contents] Revised edition
2013 |
| 15 |
2005 |
The
Musical Order of the World: Kepler, Hesse, Hindemith (Pendragon),
256 pp. [Contents] |
| 14 |
2005 |
Christus
als
Opernheld im späten 20. Jahrhundert (Gorz), 296 pp. [Contents]
[Works
discussed] |
| 13 |
2004 |
Das
tönende
Museum: Musik des 20. Jahrhunderts interpretiert Werke
bildender
Kunst (Gorz), 252 pp. [Contents] |
| 12 |
2003
|
Saints
in the Limelight: Representations of the Religious
Quest on
the Post-1945 Operatic Stage (Pendragon), 635 pp. [Contents] [Works
discussed][Saints discussed]
|
| 11 |
2000
|
Musical
Ekphrasis: Composers Responding to Poetry and Painting
(Pendragon), 667 pp. [Contents] [Essay, short
version] [Essay, long
version]
|
| 10 |
2000 |
Musical
Ekphrasis in Rilke's MARIENLEBEN (Rodopi), 235 pp. [Contents] |
| 9 |
1998 |
The
Temptation of Paul Hindemith: Mathis der Maler as a Spiritual Testimony (Pendragon),
407 pp. [Review
Clifton]
|
| 8 |
1997 |
Images
and Ideas in Modern French Piano Music: The Extra-musical
Subtext
in Piano Works by Ravel, Debussy and Messiaen (Pendragon), 432
pp. [Review
Briscoe]
|
| 7 |
1997 |
Musikalische
Symbolik in Olivier Messiaens Weihnachtsvignetten.
Hermeneutisch-analytische Untersuchungen zu den Vingt regards
sur
l’Enfant-Jésus (Peter Lang), 253 pp. [Contents] |
| 6 |
1993 |
J. S. Bach’s
Well-Tempered
Clavier: In-depth Analysis and
Interpretation,
4 vols. (Mainer), 264 + 250 + 248 + 260 pp.; revised and
consolidated edition 2014 Gorz, 580 pp. [Contents] |
| 5 |
1992 |
Creative
Piano Instruction for Small Children,
2 vols. (Penerbit Muzikal), 127 pp. |
| 4 |
1990 |
How
to Play Bach’s Little Piano Pieces
(Penerbit Muzikal), 87 pp.
- Chinese translation (International Piano Teaching Foundation
of Taiwan, 1994) |
| 3 |
1989 |
Guidelines
to Piano Interpretation (Penerbit Muzikal), 208 pp.
- Chinese translation (International Piano Teaching Foundation
of Taiwan, 1992); - Polish translation (Publications of the
Frédéric Chopin Academy of Music, 1994) |
| 2 |
1986 |
Die
musikalische Darstellung psychologischer
Wirklichkeit in Alban Bergs Wozzeck (also: Ph.D. dissertation
University of Vienna; published with a
Distinction-in-Scholarly-Research Grant from the Alban
Berg Stiftung, Vienna) (Peter Lang), 450 pp. |
| 1 |
1981 |
Die
Kunst musikalischer Gestaltung am Klavier: Gestaltungskriterien und
Gestaltungsmittel in Bach’scher
und
klassischer Klaviermusik (Peter Lang), 152 pp. |
