Siglind Bruhn: Symposia and Conference Sessions Organized/Chaired

 

 

 

 

 

 

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2007 Zurich, Switzerland: “Sonic Transformations of Literary Works: From Program Music to Musical Ekphrasis,” all-day group session organized at the conference “Transitions” of the International Musicological Society
2002 Leuven, Belgium: “A Concert of Paintings: Musical Ekphrasis Throughout the Centuries,” three-part symposium organized for the 17th International Congress of the International Musicological Society (Part 1: “Reflections on musical ekphrasis and the correspondance of the arts”; Part 2: “Composers responding to specific works of art”; Part 3: “Conceptual equivalence in musical ekphrasis”)
2001 Imatra, Finland: “Musical Ekphrasis,” thematic session organized for the Seventh International Congress on Musical Significationn (ICMS7) “Music and the Arts”

1999

Ann Arbor, Michigan: “Second International Conference for Word and Music Studies”

1998

Ann Arbor, Michigan: “Viktor Ullmann Centennial Celebration” (incl. musico-literary symposium “The Emperor of Atlantis: Defiance in Terezín,” four concerts, talks, etc.) 

1996

Baton Rouge, Louisiana: “Text and Subtext: Musical Quotations, Allusions and Tropes,” thematic session organized for the Annual Conference of the Society for Music Theory

1996

Santa Barbara, California: “Case Studies in Musical Hermeneutics,” thematic session organized for the Annual Meeting of the Semiotic Society of America

1996

Utrecht, The Netherlands: “The Twentieth Century and the Middle Ages: Cases of Musical Memory,” thematic session organized for the 5th World Congress of the International Society for the Study of European Ideas

1995-96 Ann Arbor, Michigan: “Paul Hindemith Centennial Celebration” incl. four recitals and subsequent CD recordings (available through Equilibrium Recordings)

1995

Portland, Oregon: “Methodological Approaches in Musical Hermeneutics,” panel session organized for the Annual Meeting of the College Music Society

1995

Portland, Oregon: “Examples of Applied Hermeneutic Analysis,” thematic session organized for the Annual Meeting of the College Music Society

1995

Old Town Alexandria: “Symmetry in Music, Dance, Drama, and Poetry: Interdisciplinary Perspectives,” international symposium organized as an integral component of “Symmetry: Natural and Artificial, The Third Interdisciplinary Congress and Exhibition of the International Society for the Interdisciplinary Study of Symmetry”

1994

Gainesville, Florida: “The Education of the Professional Musician: Towards a Change of Attitudes Regarding Purpose, Goals and Values,” international symposium organized in the seires of biannual meetings of the ISME Commission for the Education of the Professional Musician